Cs lewis an experiment in criticism pdf

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cs lewis an experiment in criticism pdf

An Experiment in Criticism - Wikipedia

FP now includes eBooks in its collection. Book Details. An Experiment in Criticism is a book by C. Lewis in which he proposes that the quality of books should be measured not by how they are written, but by how they are read. To do this, the author describes two kinds of readers. One is what he calls the "unliterary", and the other the "literary". He proceeds to outline some of the differences between these two types of readers.
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An Experiment in Criticism

An Experiment in Criticism

See large database of papers presented at Taylor University's C. Lewis Society Colloquium, including the following pages: Resources , Inklings Forever , vol 7 , vol. See the "Into the Wardrobe" site's collection of academic papers. See the C. This page was created and is maintained by neufeldt-fast [at] tyndale [dot] ca Arnold Neufeldt-Fast , Ph. Skip to main content. Lewis Reading Room This page is designed to help make writings on and by C.

Search this site. Free book An Experiment in Criticism by C. An Experiment in Criticism by C. Lewis Synopsis: Why do we read literature and how do we judge it? Lewis's classic An Experiment in Criticism springs from the conviction that literature exists for the joy of the reader and that books should be judged by the kind of reading they invite. He argues that good reading, like moral action or religious experience, involves surrender to the work in hand and a process of entering fully into the opinions of others: in reading great literature I become a thousand men and yet remain myself. Crucial to his notion of judging literature is a commitment to laying aside expectations and values extraneous to the work, in order to approach it with an open mind.

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Why was that a natural choice? The answer: Lewis bequeathed a richer legacy of literary criticism and theory that addresses his imaginative writing more than any other author I know. With the understood premise that I have garnered my data from C. I need to be honest with you: my editor found this approach uninvitingly negative and excised it from my book. I think she was wrong to do so. Just recall how much of An Experiment in Criticism is devoted to analyzing wrong ways of assimilating art and literature. Here is what Lewis thought about three common forms of misreading; and, as I elaborate them, you will doubtless recognize them as ways in which Christian readers commonly deal with the Narnian Chronicles.

At the persistent recommendations of some trusted friends, I have finally set my hands upon C. In short, I feel as though this book were written to me. So, in a series of posts, I will be presenting to you the essential ideas Lewis discusses, along with my own thoughts and commentaries. Let us try to discover how far it might be plausible to define a good book as a book which is read in one way, and a bad book as a book which is read in another. Later on he becomes more specific and begins to define his terms, an exercise very important if he is to avoid over-generalization and snobbery. But for the beginning, the broadness of these terms will suffice. Such is my paraphrasing.

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