Fire and blood book review
Fire and Blood by George RR Martin review – not for the average fan | Books | The GuardianGoodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover.
George RR Martin's Fire And Blood is a dry textbook about a subject of no importance
A s the world waits expectantly for the eighth and final series of the fantasy epic Game of Thrones to appear on TV next April, its creator George RR Martin has finally released a new book. But rather than the oft-delayed sixth Thrones novel, The Winds of Winter — which will itself be preceded by the finale of the show — he has produced the first in a separate two-part saga. To understand the disappointment with which Fire and Blood will inevitably be greeted by all but the most committed Martin aficionados, imagine Tolkien choosing to follow The Two Towers with an almost decade-long wait for a sequel, and releasing The Silmarillion in between. However, Fire and Blood must be judged on its own merits — that is, as a carefully conceived and exhaustive to say nothing of exhausting examination of a fantastical historical world. It is partly inspired by British medieval history; many of the main characters are analogous to real-life kings, with Aegon the Conqueror not a million miles away from near namesake William, and the heroic Daenerys owing much to Henry II. The narrative drive and bold characterisation of the other Game of Thrones books thus gives way to something more discursive.
Martin published his last proper fantasy novel. Now this decade has almost passed with no release date for part 6.
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Fire and Blood by George R.R. Martin - Conquer Books Review
The book is actually just the first of two planned volumes covering the years before the events of ASOIAF, and is purportedly written by Archmaester Gyldayn, an extremely unreliable narrator. Because the book is masquerading as an historical document the prose is deliberately dry and staid, and the events relayed are so dense that characters can live full lives in the space of a single paragraph. If not, steer clear. That worked out well. There are at least three chapters in here that are so packed with Machiavellian machinations, political intrigue and set-pieces that any one of them alone could be the basis for the next Westeros-based TV series. And Martin himself seems to be having fun.
As annoyed as I am and as annoyed as many of you are , I urge you to read and enjoy this for what it is. That's all we can do. And I surprised myself by writing these words because I honestly expected to write a review lamenting over the fact that we are still waiting for the sixth book in the series, and we will probably be waiting for a few more years to come. But instead I was enthralled by the richness of the history and the lore associated with the Targaryen dynasty. In a way, it has reminded me why I love the series so much.
Martin, seemingly incapable of delivering his next book, has given us one of two volumes on the history of the Targaryen kings. It's torpid, fussy and unaware of its own moments of brilliance. We'll be going through it chapter by chapter to see if there's anything worth highlighting for Game of Thrones fans. Regardless, we are back in the world of the series and no plots are advancing anywhere. It's hundred pages of backstory and, to make matters worse, it's one of two. There is a time and a place for fantasy apocrypha and mid-series does not feel like it. A note: I am a reluctant but relatively well informed disciple of the Game of Thrones series.